INTERNATIONAL WATERS
Al Freeman
The Kiss
Opening Saturday, 11.2.2024 6-9pm

Emily Janowick
chevron
4.27.2024 - 6.30.2024

Philip Hinge
My face is a river
12.2.2023 - 2.18.2024

Lyndsey Marko & Nicholas Sullivan
Everblue
9.23.2023 - 11.19.2023

Sam Cockrell
Morpho
1.27.2023 – 3.26.2023

Chang Sujung & Chris Domenick
Detour: cul-de-sac
10.8.2022 – 12.11.2022

Shaun Krupa & Barbara Bloom
The Machine in the Garden
4.09.2022 – 6.12.2022


Taylor Baldwin &
Serra Victoria Bothwell Fels

Honest Bodies
2.12.2022 – 3.27.2022


Freddy Villalobos, tarah douglas, Carlos Valladares
there’s only one way to stop, but I don't sing, I bark
10.9.2021 – 11.21.2021


Sam Cockrell, Emily Janowick, Andy Ralph
Man
at Hang Ten Rockaway
9.4.2021 – 9.6.2021


Chang Sujung
Spa Horizon
at NADA x Foreland
8.28.2021 – 8.29.2021


Andy Kincaid
with Adam and Hannah Bateman, Amra Causevic, Ben Dowell, Siera Hyte, Sara Ludy, Shana Moulton, Thomas Macker, Andrea McGinty, Anoushe Shojae-Chaghorvand, Trang Tran and Chang Sujung, Chen Chen & Kai Williams, Ellen Pong, Imaan Saatr, Isabel Rower, LIPS, Max Lamb, Walter Mingledorff
no holiday is forever
5.1.2021 – 7.18.2021


Seung-Min Lee
Light White
2.13.2021 – 4.11.2021

Cudelice Brazelton IV & Dozie Kanu
Recoil
12.5.2020 – 1.15.2021


Emily Janowick & Sam Cockrell
Container Garden
12.7.2020 – 3.17.2020


Andrew Erdos & Matt Taber
Event Horizon
11.8.2019 – 1.15.2020


Nate Heiges
Say It With Flowers
2.1.2019 – 2.28.2019




RADIO

SUBSCRIBE
PRESS
CONTACT
ABOUT
INSTAGRAM



open Saturday - Sunday
2PM - 4PM
or by appointment

behind Newtown Radio
262 Meserole St.
Brooklyn, NY






































Mark
Nate Heiges
Say It With Flowers
2.1.2019 - 2.28.2019 



Say It With Flowers

For the inaugural exhibition of International Waters, Nate Heiges presents a series of paintings and sculptures made using materials found predominantly on the anti-pastoral streets of Bushwick and the East Williamsburg Industrial Park. Say it with Flowers, a phrase taken from the wrapping paper of bodega bouquets, serves as a metaphor for both the ubiquity and the necessity of language as well as its all-too-common suppression and subversion. Heiges manipulates vernacular objects into a détourned bricolage, by turns funny and sad, of the surrounding landscape.

No flowers were harmed in the making of this exhibition


Mark