INTERNATIONAL WATERS
Shaun Krupa & Barbara Bloom
The Machine in the Garden
4.09.2022 – 6.12.2022


Taylor Baldwin and
Serra Victoria Bothwell Fels

Honest Bodies
2.12.2022 – 3.27.2022


Freddy Villalobos, tarah douglas, Carlos Valladares
there’s only one way to stop, but I don't sing, I bark
10.9.2021 – 11.21.2021


Sam Cockrell, Emily Janowick, Andy Ralph
Man
at Hang Ten Rockaway
9.4.2021 – 9.6.2021


Chang Sujung
Spa Horizon
at NADA x Foreland
8.28.2021 – 8.29.2021


Andy Kincaid
with Adam and Hannah Bateman, Amra Causevic, Ben Dowell, Siera Hyte, Sara Ludy, Shana Moulton, Thomas Macker, Andrea McGinty, Anoushe Shojae-Chaghorvand, Trang Tran and Chang Sujung, Chen Chen & Kai Williams, Ellen Pong, Imaan Saatr, Isabel Rower, LIPS, Max Lamb, Walter Mingledorff
no holiday is forever
5.1.2021 – 7.18.2021


Seung-Min Lee
Light White
2.13.2021 – 4.11.2021

Cudelice Brazelton IV and Dozie Kanu
Recoil
12.5.2020 – 1.15.2021


Emily Janowick and Sam Cockrell
Container Garden
12.7.2020 – 3.17.2020


Andrew Erdos and Matt Taber
Event Horizon
11.8.2019 – 1.15.2020


Nate Heiges
Say It With Flowers
2.1.2019 – 2.28.2019




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Mark
Andrew Erdos and Matt Taber
Event Horizon
11.8.2019 - 1.15.2020



Event Horizon:

The physical landscape is recreated.  Artificial landscapes are being generated with images and data stolen from the natural landscape.  This appropriation adopts the language of the mathematical sublime to describe its technological outgrowth.  By confusing footage of a potash plant in Moab, Utah with footage of the representation of a potash plant in Moab on Google Earth, Taber calls attention to the ontological confusion that is produced when real and artificial landscapes are no longer distinguishable.

As we are subsumed into a networked environment, our position is complicated.  The colonization of data is a colonization of space.  Earth is a layer within a multilayered system; a platform in a stack of platforms.

Every culture has made reference to humans attaining the power of God or The Gods. By the late 1980’s the United States and Russia both possessed nuclear arsenals powerful enough to annihilate all life on the surface of the earth. This is the first time a power exclusively possessed by the divine was achieved by humans.

The illuminated sculpture is created from antique glass colored with uranium from the United States and the former USSR. In the 1920s and 30’s there was no applicable use for uranium and it was used to color inexpensive domestic glass objects such as candlesticks, ashtrays, and tea cups.
These are artifacts from before the great nuclear awakening.

The video shows footage of prehistoric desert landscapes including areas where uranium was mined and Nuclear weapons were tested. These parts of the planet presumably looked the same before humans arrived and will look the same after humans leave.





Mark